There was a time when short stories had a lot of credibility in sci-fi. Arguably some of the greatest work from classic sci-fi, fantasy and horror authors are short stories and there was a time when anthologies were plentiful. Some of my fondest reading memories as a kid are of reading the Harlan Ellison-edited Dangerous Visions, Clive Barker’s Books Of Blood or Stephen King’s Different Seasons and Four Past Midnight.
The good news is, short stories are making a comeback, fuelled largely by ebooks and self-publishing. A short story anthology is ideal for readers who adore the convenience. It’s something you can dip into occasionally and come back to anytime. Read, re-read, skip forward, skip back. Don’t like a story? That’s fine. Don’t like an author? That’s fine too – next! Sometimes it’s a great palate cleanser in between novels, especially for reviewers such as myself. They are however starting to take on a life of their own, with many authors expanding their original short story into successful novels, Hugh Howey’s Wool and Michael Bunker’s Wick both being prime examples.
For authors there are no restrictions. Write your story, publish it yourself and see what happens. Readers may like it, they may not, people may buy it, they may not. What is evident from what I’ve seen in the world of self-publishing so far is that the cream tends to rise to the top. It may take a while, but if you’re an indie author with talent the only limit to your success is yourself.
From The Indie Side is the culmination of a lot of these success stories, some now well-established, others rising stars on the indie scene, but all extremely talented and deserving of their place on this book.
The sign of a good anthology is when you’ve finished one story and feel compelled to move straight on to the next. From The Indie Side is one of those. There are twelve stories featured, from Jason Gurley’s beautiful opening story The Winter Lands to (my personal favourite) Peter Cawdron’s thrilling finale The Man Who Remembered Today, spanning an excellent range of sub-genres. While you may be familiar with some of the more popular authors featured, what impressed me most were the writers I hadn’t yet read. There are some genuine gems in there, most notably from Brian Spangler, Sarah Foster and Susan May. I have to admit, some of the more fantasy-based stories weren’t for me, but that’s purely a matter of personal taste on my part, I can’t fault the writing.
From The Indie Side is a fitting snapshot of both the health and wealth of independent science fiction right now and whether you’re a hardened fan or about to dip a toe in the indie fiction pool, there is no better place to begin than here.